Matt Damon knows the power of a good suit! And that’s what he told the audience when he accepted a Special Career Tribute honor at the 22nd annual Gotham Independent Film Awards presented by the Independent Film Project in New York City last night. “I was here 15 years ago at the Gotham Awards and I remember that because it was right before Good Will Hunting came out and it was the first time my life became surreal because Calvin Klein gave me a suit for free,” he said during his acceptance speech. “I realized I was putting it on, and I added up all the clothes I had ever owned in my life, they wouldn’t be worth as much as the suit I as putting on. I feel very privileged to do what I do. I have never taken it for granted and I never will.” Fast forward 15 years, he can still get as many CK suits as he wants—and picked another one for last night’s event, a symbolic decision (even though the label sponsored the ceremony). “I was putting it on, and I saw that it was Calvin Klein, another free suit, again, that surreal part of my life,” he told InStyle.com of wearing the slate gray style when we caught up with him backstage after his speech. “My wife would tell you that I haven’t transformed at all fashion-wise,” he added. “There are these things where they give you a suit, and so it looks like you know what the hell you are doing!”
The new movie “Promised Land,” which Matt Damon co-wrote and co-produced, came in under budget and ahead of schedule because it had a script, the actor and Oscar-winning screenwriter said Tuesday night in New York. The talk was distributed on the Internet through Livestream.
Damon, who discussed the film along with co-star and co-producer John Krasinski of the NBC sitcom “The Office” and director Gus Van Sant, contrasted that to his last Jason Bourne movie, which he said they were writing day to day while they were shooting it. “It took years off our lives. It was so much pressure because you’re so aware of how much money … once you get on set, the money is just burning.”
He added, “(Director) Paul Greengrass and I would say like we’re in the wrong country. … It was 4 in the morning and we’re on a street and I’m going, Is there anything else we can shoot in Spain?”
Damon said watching “The Bourne Legacy,” the fourth movie in the series based on Robert Ludlum’s novels and the only one in\which he did not appear, was “very odd.” “It had a lot of same bells and whistles of the Bourne series but I didn’t know anything about it.”
That movie made it less likely that Damon will appear in another movie about the assassin with amnesia though “I don’t think it makes it impossible,” he said.
Damon said “Promised Land,” which opens in New York on Dec. 28 and nationwide Jan. 4, was made for slightly less than $18 million. It deals with the controversial procedure of capturing natural gas called fracking.
Video of Matt Damon and Marion Cottillard at the Annual Gotham Independent Film Awards where they received an award for their careers.
A nice article from ComingSoon.net
As we mentioned in our Gotham Awards coverage, this is the week when Focus Features is stepping up their game to get word out on Matt Damon and John Krasinski’s Promised Land, directed by Gus Van Sant. Earlier today, ComingSoon.net was one of a couple dozen journalists invited to a special luncheon at midtown New York’s prestigious Aquavit restaurant, specializing in Swedish cuisine and famous for kicking off the career of superstar chef Marcus Samuelsson. Damon, Krasinski and Van Sant were all on hand to field questions and talk about their movie in between bites.
Our positive review of the movie is still under embargo, but the film has Matt Damon playing the salesman for a natural gas company who comes to a small town along with a co-worker, played by Frances McDormand, with the intention of leasing land from the local farmers where they can extract natural gas. Along comes an activist named Dustin, played by Krasinski, who throws a monkey wrench in their progress at convincing the locals to sign contracts, and that’s where the film gets interesting.
Damon met Krasinski when he was working with his future wife Emily Blunt on The Adjustment Bureau in New York and they began working on the script together two years ago after author Dave Eggers helped Krasinski develop the story but then had to go off and write his own book.
The film was shot earlier this year outside of Pittsburgh in a small town much like the one in the film and during his time at our table, Krasinski talked to us about how his father’s own small town experiences inspired him to write the screenplay and how freaked out he got when his father visited the set and started pointing out places where they spent time in his youth.
Krasinski also told us an amazing story about his early years as an actor in New York and how he was almost ready to give up when he traveled to Los Angeles and two weeks later booked the pilot of “The Office.” The rest as they say is history.
All three mentioned how the films of Frank Capra and Elia Kazan were hugely influential on the writing process and the feel of the film, and they’re trying hard not to focus too much on the political side of the story and how “fracking” for natural gas has become a huge political and environmental issue in recent years.
When Matt Damon came over to our table, we spoke with him about the process of writing Promised Land with Krasinski and how that differed from writing Good Will Hunting with Ben Affleck over 15 years ago while they were both struggling actors. He told us how neither of them had any formal education on how to write a screenplay.
Damon complimented Krasinski on the speed at which his brain worked in terms of trying to figure out the mechanics of the screenplay and we heard some amazing stories from both of them about their co-stars, Frances McDormand and Scoot McNairy.
Krasinski was really impressed by what McDormand brought to her role, seemingly without even trying, although she did tell them at the very beginning of the project that she wouldn’t do any press. It’s a shame since it might be her best performance since the Coens’ Fargo, for which she won her Oscar.
McNairy’s audition so impressed the three of them that they changed one of the characters in order to give him a speech. The speech McNairy gives in the film was originally going to be performed by an older actor whose son went to war in Afghanistan, but after seeing his audition, they changed the role for McNairy. Apparently, McNairy did a reading on camera for Van Sant and after it was over, he started talking about his wife and her own struggles with the subject of the movie. Van Sant started rolling tape again to capture the emotion in McNairy’s story, and the part was changed for him. McNairy is having a bit of a moment, appearing not only in this movie but also Andrew Dominik’s Killing Them Softly, opening this weekend, and Ben Affleck’s Argo.
Krasinski also told us how he was crushed when right before last Christmas, Damon decided not to direct the film himself after they had all the pieces in places to go into production, but having to go right into pre-production in January would have kept Damon away from his family for too long.
Director Gus Van Sant filled in the rest of the story, telling us how he came on board in the project’s hour of need when Matt texted him asking if he would read the script and he sent it right over in PDF form before boarding a plane, and Van Sant decided to do it. Van Sant talked about some of his sound design and production decisions and how his style has changed from ten years ago when he made Elephant.
Since this was a fairly informal luncheon, we also talked about more esoteric New Yorker topics like the new Barclay Center in Brooklyn (thumbs up from Matt!), living on the Upper East Side (Krasinski and a couple other journalists, not us) and such. Even though both actors are from Boston, they both try to spend as much time in the city as possible.
Hopefully we’ll have more formal interviews with actual quotes from the trio sometime leading up to Promised Land’s release in New York and L.A. on December 28 and wide release on January 4, 2013.
Matt Damon attended the “TimesTalk Presents An Evening With Marion Cotillard, Matt Damon & Gus Van Sant” tonight, below are pictures and the video interview.
Matt Damon was honoured for his career at this year’s Gotham Awards, here are pictures:
Here’s the article from BBC:
Actors Matt Damon and Marion Cotillard have received career tributes at the 22nd annual Gotham Awards in New York.
The Fighter director David O Russell was also honoured at the event, the first in the yearly film awards season.
Wes Anderson’s comedy Moonrise Kingdom was named best feature at the event, an annual ceremony held to recognise the year’s best independent films.
Britain’s Emily Blunt was recognised, along with her co-stars, in another indie comedy, Your Sister’s Sister.
The film, about a man who sleeps with his girlfriend’s sibling, beat Russell’s Oscar-tipped Silver Linings Playbook to the best ensemble performance award.
Another Oscar hopeful, the critically acclaimed Beasts of the Southern Wild, saw its director Benh Zeitlin receive the breakthrough director prize.
Zeitlin also received the inaugural Bingham Ray Award, named in honour of the former United Artists president and co-founder of October Films who died in January.
Damon, who received his award from Blunt’s actor husband John Krasinski, said it felt “really weird” to be honoured and joked that “people are trying to get rid of me”.
Fellow Oscar winner Cotillard said she felt “very welcomed” and “very happy” as she arrived at the event, held on Monday at the Cipriani restaurant on Wall Street.
The Gotham Awards are held annually by the Independent Feature Project, a not-for-profit organisation that supports independent film-making.
Last year’s event saw Terrence Malick’s The Tree of Life and Christopher Plummer film Beginners share the top prize for best feature.
In “Promised Land,” you get a chance to see Matt’s inherent likability. Some actors have that quality, some don’t. And that likability is necessary to play this kind of scam artist and still be as caring as you are for his trip.
His face is an open book from the first frame when he’s washing his face and he’s tormented and nervous about what’s to come. He handles it without pushing. And he ends the picure with a final speech before the town, telling them the entire truth and what’s he’s been involved with. It’s emotional and powerful without being pushed.
In some ways, Matt is like John Wayne, who had that inherent feeling of trust. Which you also get from Matt. There’s a direct truthfulness there that a lot of actors don’t have. They have to get tricky. Matt has this inherent shit detector. He’s a very good listener, but he also has the ability to handle lengthy dialogue, which is becoming a relatively lost art in film.
He produced this picture and wrote it, and from my own experience with doing dual roles, it never gets in the way for him. Matt has enough knowledge as a writer and producer to surround himself with the best people possible. He’s not threatened by talent. He enjoys it.
Promised Land opens on: December 28, 2012, on a limited release and wide release on January 4, 2013.
Here’s the trailer:
Captures from We Bought a Zoo in Blu-Ray quality have been added to the gallery:
Collider.com has posted the first pictures of Matt on the set of Terry’s Gilliam’s sci-fi film “The Zero Theorem”:
The first images from the set of director Terry Gilliam’s upcoming sci-fi film The Zero Theorem have surfaced, and they’re unsurprisingly a little out there. The film stars Christoph Waltz as Qohen Leth, a computer hacker who searches for the meaning of life while being distracted by Management, a shadowy figure from an Orwellian corporation. We recently learned that Matt Damon would be reteaming with Gilliam for a small role in the pic, and these first set photos give us a look at Damon’s fantastically flamboyant character. The actor recently revealed that he ran into a bit of trouble when he had to shave his head for Elysium reshoots, but Gilliam decided to take advantage of the look and present Damon in a way he’s never been seen before.